Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik made "Le Corsaire : Act I, No.14 Dance of the Corsairs. No.15 Coda" available on January 1, 2003. With this song being about 5 minutes long, at 4:34, "Le Corsaire : Act I, No.14 Dance of the Corsairs. No.15 Coda" by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 30 in Ballet Highlights. Adam, Delibes by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Le Corsaire : Act I, No.14 Dance of the Corsairs. No.15 Coda's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Le Corsaire : Act I, No.14 Dance of the Corsairs. No.15 Coda by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 131 BPM | ||
Die Hochquelle, Polka mazur, Op. 114 | Eduard Strauss, Christian Thielemann, Wiener Philharmoniker | D Major | 4 | 10B | 85 BPM | ||
Sauguet: Les forains: La représentation. Le prestidigitateur et la poupée | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM | ||
Les Sylphides (orch. R. Douglas): I. Prelude (Op. 28, No. 7) | Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke | A Major | 0 | 11B | 99 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Etudes: XIII. Tarantel | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Major | 4 | 11B | 179 BPM | ||
Coppélia, Tableau 1 : No. 3, Mazurka. | Berliner Philharmoniker | D Major | 4 | 10B | 81 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 1: Wedding March | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 84 BPM | ||
Explosions Polka Op. 43 | Johann Strauss II, Hallé, Bramwell Tovey | E♭ Major | 3 | 5B | 136 BPM | ||
Gaîté parisienne: Polka I | Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn | E♭ Major | 2 | 5B | 163 BPM |
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