Matt Haimovitz, Christopher O'Riley made "Suite italienne (Version for Cello & Piano): I. Introduzione" available on February 5, 2016. The duration of Suite italienne (Version for Cello & Piano): I. Introduzione is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Suite italienne (Version for Cello & Piano): I. Introduzione's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Shuffle. Play. Listen". In this album, this song's track order is #8. Suite italienne (Version for Cello & Piano): I. Introduzione is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Suite italienne (Version for Cello & Piano): I. Introduzione by Matt Haimovitz, Christopher O'Riley having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D Major | 1 | 10B | 88 BPM | ||
Das Mädchen und der Engel, Pt. 2: Chapter 8a, Die Hexe, die gebrochene Herzen so mühelos heilt | Luna Pearl Woolf, Cornelia Funke, Matt Haimovitz, Uccello | F Major | 6 | 7B | 131 BPM | ||
Vocalise, Op.34, No.14, Lentamente cantabile - Transcr. for cello and piano by Rachmaninov | Sergei Rachmaninoff, Henri Demarquette, Vanessa Benelli Mosell | E♭ Major | 3 | 5B | 109 BPM | ||
Das Mädchen und der Engel, Pt. 1: Chapter 5a, Rahmiel füllt die Nacht mit Lachen | Luna Pearl Woolf, Cornelia Funke, Matt Haimovitz, Uccello | D♭ Minor | 2 | 12A | 86 BPM | ||
Nocturne in G Minor | Frédéric Chopin, Ólafur Arnalds, Alice Sara Ott | G Minor | 1 | 6A | 120 BPM | ||
3 Pieces for Cello & Piano: II. Sans vitesse et à l'aise | Nadia Boulanger, Matt Haimovitz, Mari Kodama | E♭ Major | 1 | 5B | 93 BPM | ||
Your Shadow and Inflorescence | Annabelle Chvostek, Matt Haimovitz | D♭ Major | 2 | 3B | 88 BPM | ||
Gypsy One | Rob Wasserman, Matt Haimovitz, Joan Jeanrenaud | G Major | 2 | 9B | 130 BPM | ||
Kyrie (Arr. M. Haimovitz for Cello Quartet) | Josquin des Prez, Matt Haimovitz | A♭ Major | 1 | 4B | 134 BPM | ||
Arpeggione Sonata in A Minor, D. 821 (Arr. for Cello & Piano): I. Allegro moderato | Franz Schubert, Matt Haimovitz, Itamar Golan | A Minor | 1 | 8A | 110 BPM |
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