"Concerto for Piano and Orchestra, Op. 36: Adagio" by Slovak Philharmonic, Sylvia Capova was released on February 14, 2012. Since Concerto for Piano and Orchestra, Op. 36: Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Karol Szymanowski's "Impressionist Masterminds" album is number 50 out of 50. Concerto for Piano and Orchestra, Op. 36: Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Piano and Orchestra, Op. 36: Adagio by Slovak Philharmonic, Sylvia Capova to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gayaneh: Sabre Dance | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 6 | 8B | 86 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Pictures at an Exhibition: II. Il vecchio castello (Orch. M. Ravel) | Modest Mussorgsky, Slovak Philharmonic, Daniel Nazareth | D Major | 0 | 10B | 71 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 2 in B Minor | Niccolò Paganini, Itzhak Perlman | B Minor | 3 | 10A | 95 BPM | ||
Die Walkure, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | G Major | 2 | 9B | 90 BPM | ||
Tannhauser, Act II: Entrance of the Guests | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 1 | 1B | 125 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 2: Dance of the Knights | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 86 BPM | ||
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Chopin: Nocturne No. 20 in C-Sharp Minor, Op. Posth. | Frédéric Chopin, Mikhail Pletnev | D♭ Minor | 0 | 12A | 164 BPM |
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