"Concordi Laetitia : Rythmus, Modus VI" by Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos was released on September 1, 1995. The duration of Concordi Laetitia : Rythmus, Modus VI is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Concordi Laetitia : Rythmus, Modus VI's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 21 in Ave Maria, chant grégorien by Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Concordi Laetitia : Rythmus, Modus VI's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concordi Laetitia : Rythmus, Modus VI by Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria | Anonymous, Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | C Minor | 1 | 5A | 78 BPM | ||
Vexilla Regis | Venance Fortunat, Choeur des moines bénédictins de l'abbaye Notre-Dame de Ganagobie | E Major | 0 | 12B | 120 BPM | ||
Alme concrepent | Anon, Magnificat, Philip Cave | G Major | 0 | 9B | 106 BPM | ||
Office des laudes : Respons vidi angelum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F♯ Major | 0 | 2B | 128 BPM | ||
Ave Regina coelorum : Antiphona, Modus VI | Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | B♭ Minor | 2 | 3A | 180 BPM | ||
Gloria, JD 11: Gloria a 4, JD 11 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 2 | 6B | 107 BPM | ||
Etenim | Coro De La Abadía De San Florián Y La Iglesia De Santa Rita | G Minor | 1 | 6A | 118 BPM | ||
Open The Gates Of Repentance | The Sirin Choir, Choirmaster: Andrey Kotov | A♭ Minor | 1 | 1A | 126 BPM | ||
Messe 'Salus Autem': A Mater Patriae | Public Domain, Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan | B♭ Minor | 1 | 3A | 68 BPM | ||
Dominica Resurrectionis: II. Graduale (Haec dies) | Gregorian Chants, Karel Frana, Boni Puncti | F Minor | 2 | 4A | 65 BPM |
Section: 0.47467923164367676
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