"Paraphrase de la Dédicace" by Pierre Cochereau, Pierre Pincemaille, François Lombard, Nicole Blanchi, Vincent Recolin, Jean-Marc Cochereau, Michel Piquemal, Provence-Alpes-Cote d'Azur Regional Choir, Marseille Philharmonic Orchestra Brass Ensemble was released on September 10, 2002. Since Paraphrase de la Dédicace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 15 in Cochereau: The Written Works by Pierre Cochereau, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Paraphrase de la Dédicace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Paraphrase de la Dédicace by Pierre Cochereau, Pierre Pincemaille, François Lombard, Nicole Blanchi, Vincent Recolin, Jean-Marc Cochereau, Michel Piquemal, Provence-Alpes-Cote d'Azur Regional Choir, Marseille Philharmonic Orchestra Brass Ensemble is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La passion selon saint-jean (choral final) | Pierre Cochereau, Armand Birbaum, Maurice André | E♭ Major | 4 | 5B | 82 BPM | ||
Prose of Easter (Victimae Paschali Laudes) | Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | D Major | 9 | 10B | 114 BPM | ||
I. | Marcel Dupré, Pierre Cochereau | C Major | 1 | 8B | 63 BPM | ||
Toccata Op.5/3 | Joesph Bonnet, Charles-Marie Widor, David M Patrick | D Major | 3 | 10B | 174 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Major | 1 | 3B | 77 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Symphony for Organ No. 4 in G Minor, Op. 32: I. Prelude | Louis Vierne, Pierre Cochereau | D Major | 1 | 10B | 75 BPM | ||
Svete tikhii (Gentle light) | Victor Kalinnikov, St.Petersburg Chamber Choir, Nikolai Korniev | F Major | 1 | 7B | 74 BPM | ||
Australian Up-Country Song | Percy Grainger, Academy of St. Martin in the Fields Chorus, Richard Hickox | E♭ Major | 0 | 5B | 77 BPM | ||
Media Vita | Elben Schutte | G Major | 2 | 9B | 81 BPM |
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