In Like Flint: Where The Bad Guys Are Gals - From "In Like Flint"
Jerry Goldsmith
In Like Flint / Our Man Flint (Original Motion Picture Soundtracks)
2:42 1967
BPM
120
Key
F Major
Camelot
7B

Embed

Share Link

In Like Flint: Where The Bad Guys Are Gals - From "In Like Flint" - Jerry Goldsmith Information

Acousticness
65%
Danceability
48%
Energy
52%
Instrumentalness
85%
Liveness
51%
Loudness
81%
Speechiness
4%
Valence
55%
Popularity
Loudness
-11.231 dB

Summary

Jerry Goldsmith made "In Like Flint: Where The Bad Guys Are Gals - From "In Like Flint"" available on 1967. The duration of In Like Flint: Where The Bad Guys Are Gals - From "In Like Flint" is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. In Like Flint: Where The Bad Guys Are Gals - From "In Like Flint"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jerry Goldsmith's "In Like Flint / Our Man Flint (Original Motion Picture Soundtracks)" album is number 1 out of 28. On top of that, United States appears to be the country where this track was created. Based on our statistics, In Like Flint: Where The Bad Guys Are Gals - From "In Like Flint"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

In Like Flint: Where The Bad Guys Are Gals - From "In Like Flint" BPM

We consider the tempo marking of In Like Flint: Where The Bad Guys Are Gals - From "In Like Flint" by Jerry Goldsmith to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

In Like Flint: Where The Bad Guys Are Gals - From "In Like Flint" Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Showdown by Carter BurwellThe ShowdownCarter BurwellG Major19B78 BPM
Lead Them by Harald Kloser, Thomas WanderLead ThemHarald Kloser, Thomas WanderC Minor25A53 BPM
Mithrandir by Leonard RosenmanMithrandirLeonard RosenmanG Major29B124 BPM
Hansen's Message by Jerry Goldsmith, Ron JonesHansen's MessageJerry Goldsmith, Ron JonesE♭ Minor12A83 BPM
The Goondocks (Goonies Theme) by Dave GrusinThe Goondocks (Goonies Theme)Dave GrusinA Major211B87 BPM
The War Rooms by Dario Marianelli, Víkingur ÓlafssonThe War RoomsDario Marianelli, Víkingur ÓlafssonA♭ Major24B103 BPM
The Codes of Dinotopia by Trevor JonesThe Codes of DinotopiaTrevor JonesD Major310B116 BPM
Prologue / Main Title by Stu PhillipsPrologue / Main TitleStu PhillipsF Major07B71 BPM
Runaway Jury by Christopher YoungRunaway JuryChristopher YoungF Minor14A68 BPM
Resurrection by Christopher YoungResurrectionChristopher YoungA♭ Minor21A108 BPM
ISRC
US3M59893501
Label
L-M Records/RCA Records

Section: 0.5493834018707275

End: 0.5526230335235596