Carlos Seixas, Robert Woolley made "Sonata No. 57 in A Major: I. Allegro - Adagio - Allegro assai" available on January 1, 1989. Since Sonata No. 57 in A Major: I. Allegro - Adagio - Allegro assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Seixas: Harpsichord Sonatas". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Sonata No. 57 in A Major: I. Allegro - Adagio - Allegro assai is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Sonata No. 57 in A Major: I. Allegro - Adagio - Allegro assai by Carlos Seixas, Robert Woolley having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
Sonata No. 8 in D Minor: I. Allegro | Leonardo Vinci, Claudio Ferrarini | A Minor | 4 | 8A | 132 BPM | ||
Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 101 BPM | ||
La De Belombre, Vivement | Jacques Duphly, Elisabeth Joyé | C Minor | 4 | 5A | 113 BPM | ||
Sonata No. 12 in G Minor: III. Largo | Francesco Mancini, Claudio Ferrarini | E Minor | 2 | 9A | 112 BPM | ||
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
6 Solos: Sonata in C Major: III. Largo | Alessandro Besozzi, Brynjar Hoff, Kåre Nordstoga | G Major | 1 | 9B | 79 BPM | ||
Concerto VIII in C Minor: IV. Adagio | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM |
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