Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra's 'Concerto for Violin and Orchestra: I. Slow; Moderate; Fast; Moderate' came out on March 1, 2024. Since Concerto for Violin and Orchestra: I. Slow; Moderate; Fast; Moderate is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 14 in American Counterpoints by Experiential Orchestra, James Blachly, Curtis J Stewart. Concerto for Violin and Orchestra: I. Slow; Moderate; Fast; Moderate is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Violin and Orchestra: I. Slow; Moderate; Fast; Moderate by Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces: No. 1. The Moon | Benjamin Britten, Matthew Jones, Annabel Thwaite | G Major | 1 | 9B | 87 BPM | ||
Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): VI | Pyotr Ilyich Tchaikovsky, Christian Lindberg, Roland Pöntinen | D♭ Major | 4 | 3B | 106 BPM | ||
Příhody Lišky Bystroušky, JW I/9, Act I (Arr. for Voices, Choir & Chamber Orchestra by Fabrice Bollon): Andante | Leoš Janáček, The Lily's Project, Fabrice Bollon | D♭ Minor | 1 | 12A | 91 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
III. Allegro grazioso | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Copland: Suite from Appalachian Spring: VII. Variations on a Shaker Hymn. Doppio movimento (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Summer | Carrie Baynes | D Minor | 1 | 7A | 93 BPM | ||
Concerto for Violin and Orchestra: VI. Fast; Moderate; Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | ||
Sonata per Violoncello solo: I. Dialogo Allegro moderato | Sándor Veress, Alexandre Foster | G Major | 1 | 9B | 170 BPM | ||
Lemminkäinen, Op. 22: II. The Swan of Tuonela. Andante molto sostenuto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM |
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