"Marais: Pièces en trio: Suite No. 1 en do majeur: VI. La bagatelle" by Marin Marais, Ensemble Amalia was released on September 15, 2023. With Marais: Pièces en trio: Suite No. 1 en do majeur: VI. La bagatelle being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marin Marais, Ensemble Amalia's "Marais: Trois suites en trio" album is number 16 out of 32. On top of that, France appears to be the country where this track was created. Marais: Pièces en trio: Suite No. 1 en do majeur: VI. La bagatelle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Marais: Pièces en trio: Suite No. 1 en do majeur: VI. La bagatelle by Marin Marais, Ensemble Amalia to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio sopra la lontananza de il fratro dilettissimo, BWV 992: I. Ist eine Schmeichelung der Freunde, um denselben von der Reise abzuhalten. Arioso. Adagio | Johann Sebastian Bach, András Schiff | B♭ Major | 0 | 6B | 165 BPM | ||
Euridice: Sinfonia | Giulio Caccini, Rinaldo Alessandrini, Concerto Italiano | G Major | 2 | 9B | 79 BPM | ||
Ariane et Bacchus, Act I: Air et chœur. Souverain de l'humide empire | Marin Marais, Tomislav Lavoie, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | F Minor | 1 | 4A | 87 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 100. Gigue a l'angloise. Très vivement | Marin Marais, Mieneke van der Velden, Glen Wilson | F♯ Major | 2 | 2B | 117 BPM | ||
Trio Sonata for Violin, Lute and Basso Continuo in G Minor, RV 85: II. Larghetto | Antonio Vivaldi, Rolf Lislevand, Manfredo Kraemer, The Rare Fruits Council | D♭ Minor | 0 | 12A | 81 BPM | ||
Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | ||
Marais: Pièces de viole, Livre IV, Suitte d'un goût étranger: No. 68, L'Amériquaine | Marin Marais, Thomas Dunford, Jupiter | B Major | 0 | 1B | 75 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille | Marin Marais, Ensemble Amalia | E♭ Minor | 2 | 2A | 118 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
Sarabande Jeunes Zephirs | Jacques Champion de Chambonnières, Philippe Pierlot, Lucile Boulanger, Myriam Rignol | F Major | 0 | 7B | 113 BPM |
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