On January 1, 1954, the song "Four or Five Times" was released by Kid Ory, Teddy Buckner, Pud Brown, Lloyd Glenn, Julian Davidson, Ed Garland, Minor Hall, Bob McCracken, Don Ewell, Morty Corb, George Probert, Alvin Alcorn, Barney Kessel, Phil Gomez, Cedric Haywood, Wellman Braud. The duration of Four or Five Times is about 3 minutes long, at 3:04. Based on our data, "Four or Five Times" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "This Kid's the Greatest". In this album, this song's track order is #4. Based on our statistics, Four or Five Times's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Four or Five Times by Kid Ory, Teddy Buckner, Pud Brown, Lloyd Glenn, Julian Davidson, Ed Garland, Minor Hall, Bob McCracken, Don Ewell, Morty Corb, George Probert, Alvin Alcorn, Barney Kessel, Phil Gomez, Cedric Haywood, Wellman Braud having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bugle Call Rag | George Lewis | B♭ Major | 4 | 6B | 90 BPM | ||
Shoo Fly Pie and Apple Pan Dow | June Christy | A♭ Major | 4 | 4B | 124 BPM | ||
Don't Be That Way | Jimmy Dorsey & His Orchestra | C Minor | 5 | 5A | 170 BPM | ||
I Wish I Could Shimmy Like My Sister Kate | Clarence Williams | D Major | 9 | 10B | 109 BPM | ||
Soft Winds | Erskine Hawkins | D♭ Major | 3 | 3B | 84 BPM | ||
(What I Did to Be So) Black And Blue | Muggsy Spanier | F Major | 5 | 7B | 152 BPM | ||
Illinois Goes To Chicago | Illinois Jacquet | D♭ Major | 2 | 3B | 173 BPM | ||
There's Rhythm in Harlem | Mills Blue Rhythm Band | B♭ Major | 4 | 6B | 211 BPM | ||
Waiting For Robert E. Lee | Bourbon Street Jazzband | B♭ Major | 6 | 6B | 142 BPM | ||
Balling The Jack | Eddie Condon | C Minor | 4 | 5A | 189 BPM |
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