"Jesus Schläft, Was Soll Ich Hoffen BWV 81, Aria (Alto): Jesus Schläft, Was Soll Ich Hoffen?" by Holland Boys Choir, Netherlands Bach Collegium, Ofer Frenkel, Katherin Steddon, Bas Ramselaar, Anneke Boeke, Sytse Buwalda, Knut Schoch, Peter Frankenberg, Johann Sebastian Bach, Pieter Jan Leusink had its release date on December 20, 2006. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 20 in Bach Cantatas (Complete) Part: 16 by Holland Boys Choir, Netherlands Bach Collegium. In terms of popularity, Jesus Schläft, Was Soll Ich Hoffen BWV 81, Aria (Alto): Jesus Schläft, Was Soll Ich Hoffen? is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jesus Schläft, Was Soll Ich Hoffen BWV 81, Aria (Alto): Jesus Schläft, Was Soll Ich Hoffen? by Holland Boys Choir, Netherlands Bach Collegium, Ofer Frenkel, Katherin Steddon, Bas Ramselaar, Anneke Boeke, Sytse Buwalda, Knut Schoch, Peter Frankenberg, Johann Sebastian Bach, Pieter Jan Leusink is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Stabat Mater in G Minor: I. Stabat Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | E Minor | 2 | 9A | 143 BPM | ||
III. Es Reißet Euch Ein Schrecklich Ende BWV 90, Recitativo (Alto): Des Höchsten Güte Wird Von Tag | Pieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Susan Williams, Sytse Buwalda, Knut Schoch, Johann Sebastian Bach | B Minor | 0 | 10A | 65 BPM | ||
Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
V. Herr Gott, Dich Loben Wir BWV 16, Aria (Tenore): Geliebter Jesu, Du Allein | Pieter Jan Leusink, Ruth Holton, Louis Van Emmerik, Nico Van Der Meel, Bas Ramselaar, Jan Willem Vis, Johann Sebastian Bach, Holland Boys Choir; Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Teunis De Zwart, Sytse Buwalda | E Major | 0 | 12B | 112 BPM | ||
Scarlatti, D: Keyboard Sonata in G Minor, Kk. 4 | Domenico Scarlatti, Scott Ross | A♭ Major | 4 | 4B | 145 BPM | ||
Meditation No. 6 | Alexander Därr | B♭ Major | 0 | 6B | 80 BPM | ||
No Heathen | Marc Ezenge | F Minor | 1 | 4A | 154 BPM | ||
Partita No. 2 C Minor, Bwv 826: Allemanda | Valentina Lisitsa | C Minor | 1 | 5A | 99 BPM | ||
I. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, Seconda Parte, Choral (Coro): Gib, Daß Ich Tu Mit Fleiß | Holland Boys Choir; Netherlands Bach Collegium, Peter Frankenberg, Sytse Buwalda, Frederique Chauvet, Bas Ramselaar, Ruth Holton, Johann Sebastian Bach, Knut Schoch, Marion Moonen, Ofer Frenkel, Pieter Jan Leusink | E♭ Major | 2 | 5B | 75 BPM |