Hans Carste, Rosita Serrano, Telefunken Studio Orchestra, Michael Jary made "Küss mich, bitte, bitte, küss mich" available on March 1, 2019. The duration of Küss mich, bitte, bitte, küss mich is about 3 minutes long, at 3:21. Based on our data, "Küss mich, bitte, bitte, küss mich" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Schellack Schätze: Treasures on 78 RPM from Berlin, Europe and the World, Vol. 20 (Remastered 2019)". In this album, this song's track order is #1. Küss mich, bitte, bitte, küss mich is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Küss mich, bitte, bitte, küss mich by Hans Carste, Rosita Serrano, Telefunken Studio Orchestra, Michael Jary having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Yes!, Act I: Ouverture | Maurice Yvain, Les Frivolités Parisiennes | F Major | 1 | 7B | 83 BPM | ||
Wer hat die Liebe uns ins Herz gesenkt | Anneliese Rothenberger | D Major | 3 | 10B | 106 BPM | ||
Old Western Suite: III. Springtime in Louisiana | Ulrich Sommerlatte, Berliner Promenaden Orchester, Hans Carste | G Major | 6 | 9B | 117 BPM | ||
Wer a Geld hat | Die Original Wiener Schrammeln | G Major | 4 | 9B | 92 BPM | ||
Mein Papagai frisst keine harten Eier | Efim Schachmeister, Jazzsymphonie Orchester | B♭ Major | 5 | 6B | 126 BPM | ||
Paganini, Act II: Ich kann es nicht fassen, nicht glauben…Liebe du Himmel auf Erden | Franz Lehár, Anna Moffo, Grosses Operetten Chorus, Grosses Operetten Orchestra, Hans Carste | B♭ Major | 4 | 6B | 133 BPM | ||
Das ist der Fruhling von Berlin | Walter Kollo, Willi Kollo, Hermann Prey, Wannsee-Sanger, Cologne Radio Orchestra, Heinz Geese | A Minor | 2 | 8A | 115 BPM | ||
Some Enchanted Evening | Victor Silvester | D♭ Major | 2 | 3B | 96 BPM | ||
Musik, Musik, Musik | Otto Stenzel | A♭ Major | 7 | 4B | 117 BPM | ||
Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Erster Akt: Introduktion (Reiseführer) | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | B♭ Major | 4 | 6B | 96 BPM |
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