"Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano)" by Matt Haimovitz, Christopher O'Riley was released on February 1, 2016. Since Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 27 in the song's album "Shuffle. Play. Listen.". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Netherlands. The popularity of Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano) by Matt Haimovitz, Christopher O'Riley having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duet | Steve Reich, Daniel Hope, Simos Papanas, Kammerorchester Basel | F Major | 2 | 7B | 140 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Constantinople | A Minor | 0 | 8A | 104 BPM | ||
Cello Sonata In G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Matt Haimovitz, Christopher O'Riley | E♭ Major | 0 | 5B | 135 BPM | ||
Requiem for Cello Alone: VI. Lux aeterna | Peter Sculthorpe, Pieter Wispelwey | B Major | 3 | 1B | 89 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Après un rêve, Op. 7 No. 1 (Arr. for Cello & Piano) | Gabriel Fauré, Matt Haimovitz, Mari Kodama | F Minor | 0 | 4A | 91 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Preludes & Fugues, K. 404a: Fugue No. 2 in G Minor | Wolfgang Amadeus Mozart, Matt Haimovitz, Jonathan Crow, Douglas McNabney | B♭ Major | 1 | 6B | 153 BPM | ||
Bach mit Zumutungen | Víkingur Ólafsson, Roedelius, Thomas Rabitsch | A Major | 2 | 11B | 134 BPM | ||
Vocalise, Op.34, No.14, Lentamente cantabile - Transcr. for cello and piano by Rachmaninov | Sergei Rachmaninoff, Henri Demarquette, Vanessa Benelli Mosell | E♭ Major | 3 | 5B | 109 BPM |
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