Peter Grimes, Op. 33 / Act 3: "Embroidery In Childhood" - Benjamin Britten, Claire Watson, James Pease, Orchestra of the Royal Opera House, Covent Garden Information

Acousticness: 98%
Danceability: 20%
Energy: 6%
Instrumentalness: 1%
Liveness: 10%
Loudness: 56%
Speechiness: 6%
Valence: 4%
Popularity: 4%
Loudness: -26.159 dB

Summary

"Peter Grimes, Op. 33 / Act 3: "Embroidery In Childhood"" by Benjamin Britten, Claire Watson, James Pease, Orchestra of the Royal Opera House, Covent Garden had its release date on January 1, 1959. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 45 in Britten: Peter Grimes by Benjamin Britten, Sir Peter Pears, Claire Watson, Orchestra of the Royal Opera House, Covent Garden. Peter Grimes, Op. 33 / Act 3: "Embroidery In Childhood" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Peter Grimes, Op. 33 / Act 3: "Embroidery In Childhood" BPM

The tempo marking of Peter Grimes, Op. 33 / Act 3: "Embroidery In Childhood" by Benjamin Britten, Claire Watson, James Pease, Orchestra of the Royal Opera House, Covent Garden is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Peter Grimes, Op. 33 / Act 3: "Embroidery In Childhood" Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer	Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan	F Major	2	7B	74 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	A Major	1	11B	113 BPM
Rejoice in the Lamb, Op. 30: Hallelujah from the heart of God	Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson	F Major	0	7B	111 BPM
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!"	Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein	E♭ Major	1	5B	130 BPM
Heavenly Romanticism	Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar	F Major	0	7B	96 BPM
Ma mère l'oye, ballet, M. 62: Prélude: Très lent	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez	G Major	0	9B	90 BPM
Japanese Suite, Op. 33: III. Dance of the Marionette	Gustav Holst, Ulster Orchestra, Joann Falletta	C Minor	0	5A	177 BPM
Brandenburg Concerto No. 3 in G, BWV 1048: 1. (Allegro)	Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten	B♭ Major	1	6B	109 BPM
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of Abduction	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	D Minor	6	7A	103 BPM
Les Illuminations, Op. 18: X. Départ. Largo mesto	Benjamin Britten, Vladimir Jurowski, London Philharmonic Orchestra, Sally Matthews	B♭ Major	5	6B	124 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records