Ludwig Maurer, Center City Brass Quintet's 'Three Pieces: I. Maestoso alla marcia' came out on September 1, 2002. With Three Pieces: I. Maestoso alla marcia being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 20 in Arnold, Ewald, Bozza, Maurer, Dahl & Clavert: Works for Brass Ensemble by Center City Brass Quintet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Three Pieces: I. Maestoso alla marcia's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Three Pieces: I. Maestoso alla marcia by Ludwig Maurer, Center City Brass Quintet is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Courtly Masquing Ayres: No. 20 | John Adson, The Prague Brass Soloists | F Major | 2 | 7B | 181 BPM | ||
Ballade | Eugène Bozza, Balthasar Hens, Hsiao-Yen Chen | E♭ Major | 1 | 5B | 105 BPM | ||
Carmen Fantasy - II. Seguidilla: (Bizet) | Joseph Alessi | F Major | 1 | 7B | 71 BPM | ||
Biber: Sonata a 7 | Heinrich Ignaz Franz von Biber, Amsterdam Baroque Orchestra, Ton Koopman | D♭ Major | 1 | 3B | 79 BPM | ||
Rustiques | Eugène Bozza, Eric Aubier, Pascal Godart | F Major | 1 | 7B | 170 BPM | ||
Oster-Oratorium, BWV 249: II. Adagio - Arr. By Enrique Crespo | Johann Sebastian Bach, German Brass | A Minor | 0 | 8A | 72 BPM | ||
Rondo Olympia | Tom Davoren, Corinne Bailey, Lindy Tennent-Brown | G Major | 1 | 9B | 83 BPM | ||
3 Morceaux, Op. 15 (arr. for brass ensemble by Jarle Storløkken): I. Serenade | Agathe Backer Grøndahl, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Sonata: I. Allegro maestoso | Eric Ewazen, Jonathan Feldman, Joseph Alessi | B♭ Major | 1 | 6B | 131 BPM | ||
Divertimento in E-Flat Major, K. 252: IV. Presto assai | Wolfgang Amadeus Mozart, Bläserphilharmonie Mozarteum Salzburg, Hansjörg Angerer | F Major | 0 | 7B | 135 BPM |
Section: 0.5898678302764893
End: 0.5938088893890381