"Divertimento In E Flat Major Kv 252: Polonaise" by Arts Music Recording, Rotterdam, Hans Wisse, Martin Van De Merwe, Jos Buurman, Remco De Vries, Johan Steinmann, Irma Kort, Wolfgang Amadeus Mozart was released on March 28, 2007. The duration of Divertimento In E Flat Major Kv 252: Polonaise is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Divertimento In E Flat Major Kv 252: Polonaise's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arts Music Recording, Rotterdam's "Mozart Edition Volume 3" album is number 11 out of 104. On top of that, Netherlands appears to be the country where this track was created. Divertimento In E Flat Major Kv 252: Polonaise is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Divertimento In E Flat Major Kv 252: Polonaise by Arts Music Recording, Rotterdam, Hans Wisse, Martin Van De Merwe, Jos Buurman, Remco De Vries, Johan Steinmann, Irma Kort, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach Orchestral Suite No.2 in B Minor, BWV 1076: V. Polonaise | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 85 BPM | ||
Concerto con molti stromenti in C Major, R. 558: II. Andante molto | Antonio Vivaldi, The English Concert, Trevor Pinnock | F♯ Major | 0 | 2B | 108 BPM | ||
Symphony No. 26 in C Minor: II. Andante arioso | Johannes Matthias Sperger, L'Arte del mondo, Werner Ehrhardt | A♭ Major | 0 | 4B | 112 BPM | ||
Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: II. Adagio | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | E♭ Major | 1 | 5B | 86 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: III. Adagio | Georg Philipp Telemann, Boris Begelman | E♭ Minor | 1 | 2A | 49 BPM | ||
Piano Trio No. 6 in E-Flat Major, Op. 93: II. Un poco larghetto | Johann Nepomuk Hummel, Gould Piano Trio | B Major | 0 | 1B | 79 BPM | ||
Sonata Sopr'Il Soggetto Reale A Traversa, Violino E Continuo: Largo | Krijn Koetsveld, Floris Mijnders, Marieke Schneemann, David Jansen, Johann Sebastian Bach, Candy Thompson, Arts Music Recording, Rotterdam, Netherlands Bach Ensemble | C Minor | 1 | 5A | 94 BPM | ||
Concerto for 2 Oboes in A Minor, RV 536: I. (Allegro) | Antonio Vivaldi, Stefan Schilli, Diethelm Jonas, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Overture In The French Style In B Minor BWV 831, Ouvertüre Nach Französischer Art, H Moll BWV 831: Passepied I, II, Da Capo | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | A Minor | 4 | 8A | 95 BPM | ||
Flute Concerto No. 1 in G Major: II. Adagio | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | G Major | 2 | 9B | 98 BPM |
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