On April 19, 1996, the song "Let's Get It On (Morel's Sexed Up Mix)" was released by George Morel. Since Let's Get It On (Morel's Sexed Up Mix) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Morel's "Morel's Grooves Part 10" album is number 1 out of 4. Based on our statistics, Let's Get It On (Morel's Sexed Up Mix)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Let's Get It On (Morel's Sexed Up Mix) by George Morel to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Daisy's Dance | Dan Shake | F♯ Major | 8 | 2B | 127 BPM | ||
Music | Floorplan | F♯ Minor | 5 | 11A | 129 BPM | ||
Dooms Night - Timo Maas Radio Edit | Azzido Da Bass | G Major | 7 | 9B | 132 BPM | ||
Orange | Deetron | D Major | 7 | 10B | 124 BPM | ||
Better Days - Doorly Remix | House Of Virus, Jimi Polo, Doorly | G Major | 9 | 9B | 124 BPM | ||
Final Credits - Radio Edit | Midland | F♯ Major | 8 | 2B | 133 BPM | ||
How I Wish | Beesmunt Soundsystem | E Major | 8 | 12B | 128 BPM | ||
After All | Franck Roger, Mandel Turner | C Major | 8 | 8B | 124 BPM | ||
We Magnify His Name | Floorplan | C Major | 9 | 8B | 125 BPM | ||
Hot Soup | Inland Knights | B Minor | 7 | 10A | 124 BPM |
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