Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki made "Mass in B Minor, BWV 232: Credo. Et resurrexit tertia die (Chorus)" available on October 3, 2007. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 27 in Bach: Mass in B minor by Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Mass in B Minor, BWV 232: Credo. Et resurrexit tertia die (Chorus) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Mass in B Minor, BWV 232: Credo. Et resurrexit tertia die (Chorus) by Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Church Sonata No. 16 in C Major, K. 329 | Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor, Peter Neumann, Collegium Cartusianum | F Minor | 0 | 4A | 68 BPM | ||
Messiah, HWV 56 / Pt. 1: "Rejoice Greatly, O Daughter Of Zion" | George Frideric Handel, Elly Ameling, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 60 BPM | ||
Mozart: Mass No. 15 in C Major, K. 317, "Coronation Mass": IV. Sanctus. Andante maestoso - Allegro assai (Chorus) | Wolfgang Amadeus Mozart, Peter Neumann, Collegium Cartusianum | C Major | 2 | 8B | 80 BPM | ||
Vivaldi: Gloria in D Major, RV 589: III. Laudamus te | Antonio Vivaldi, Sir Neville Marriner, Ann Murray, Barbara Hendricks, Academy of St. Martin in the Fields | F Major | 2 | 7B | 142 BPM | ||
Rejoice in the Lamb, Op. 30: No. 1c, Hallelujah | Benjamin Britten, David Dunnett, Norwich Cathedral Choir, Ashley Grote | F Major | 0 | 7B | 0 BPM | ||
Hell morgonstjärna mild och ren | Philipp Nicolai, arr. Säde Bartling, Akademiska Damkören Lyran, Jutta Seppinen | E♭ Major | 1 | 5B | 82 BPM | ||
Concerto grosso in F, Op.6, No.12: 3. Adagio | Arcangelo Corelli, The English Concert, Trevor Pinnock | D♭ Minor | 1 | 12A | 139 BPM | ||
Love Came | Peter Gregson | C Major | 0 | 8B | 136 BPM | ||
Glazunov: The Seasons, Op. 67, Pt. 1 "Winter": No. 6, Snow Variation | Alexander Glazunov, Philharmonia Orchestra, Yevgeny Svetlanov | F Major | 0 | 7B | 58 BPM | ||
Nun danket alle Gott BWV 386 | Choir of King's College, Cambridge, Stephen Cleobury, Benjamin Bayl | G Major | 3 | 9B | 68 BPM |
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