Antonio Banderas made "The Lady's Got Potential" available on October 25, 1996. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 31 in Evita: The Complete Motion Picture Music Soundtrack by Madonna. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Lady's Got Potential's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The Lady's Got Potential by Antonio Banderas is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Around Here | Allison Janney and Ensemble | C Major | 4 | 8B | 82 BPM | ||
The American Dream - Live | Miss Saigon Original Cast, Jon Jon Briones | F♯ Major | 4 | 2B | 119 BPM | ||
The Speed Test | Marc Kudisch, Sutton Foster, Anne L. Nathan, Thoroughly Modern Millie Ensemble | D Major | 3 | 10B | 162 BPM | ||
How I Know You | Damian Perkins | F Major | 2 | 7B | 85 BPM | ||
In The Bar / Heave Away | 'Come From Away' Company | D Major | 9 | 10B | 137 BPM | ||
Class | Catherine Zeta-Jones, Queen Latifah | F♯ Major | 3 | 2B | 120 BPM | ||
Finale | Antonio Banderas, Nine Company | A♭ Major | 7 | 4B | 66 BPM | ||
Nine to Five | Allison Janney, Megan Hilty, Charlie Pollock, Stephanie J. Block and Ensemble | D Major | 5 | 10B | 104 BPM | ||
Plumet Attack | Frances Ruffelle | D♭ Major | 6 | 3B | 88 BPM | ||
Judas' Death - From "Jesus Christ Superstar" Soundtrack | Carl Anderson, Bob Bingham, Kurt Yaghjian | G Major | 4 | 9B | 115 BPM |
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