"The Snow Queen, Act II: Return to the Snow Queen's Palace" by Kenji Bunch, Orchestra Next, Brian McWhorter was released on June 23, 2017. The duration of The Snow Queen, Act II: Return to the Snow Queen's Palace is about 3 minutes long, at 3:21. Based on our data, "The Snow Queen, Act II: Return to the Snow Queen's Palace" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Kenji Bunch, Orchestra Next, Brian McWhorter's "Kenji Bunch: The Snow Queen" album is number 9 out of 23. On top of that, United States appears to be the country where this track was created. The Snow Queen, Act II: Return to the Snow Queen's Palace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Snow Queen, Act II: Return to the Snow Queen's Palace by Kenji Bunch, Orchestra Next, Brian McWhorter to be Grave (very slow) because the track has a tempo of 45 BPM, a half-time of 22BPM, and a double-time of 90 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On the Nature of Daylight (Arr. Mackay) | Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 1 | 3A | 135 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Yes! (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | C Minor | 2 | 5A | 84 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | ||
Big My Secret | Michael Nyman | D Major | 1 | 10B | 77 BPM | ||
The Snow Queen, Act I: Arrival of the Snow Queen | Kenji Bunch, Orchestra Next, Brian McWhorter | F♯ Minor | 0 | 11A | 82 BPM | ||
Dance of the Paper Umbrellas | Tasmanian Symphony Orchestra, Elena Kats-Chernin | D♭ Major | 4 | 3B | 147 BPM | ||
Fur Alina (For Alena) | Arvo Pärt, Bruce Levingston | E Major | 0 | 12B | 70 BPM | ||
Prelude For Time Feelers | Eluvium | D Major | 3 | 10B | 115 BPM | ||
Transit of Venus | Joby Talbot, Christopher Austin, Royal Liverpool Philharmonic Orchestra | G Minor | 0 | 6A | 164 BPM |
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