- BPM
- 118
- Key
- G Major
- Camelot
- 9B
Memory of a Free Festival - The Sunday Show - Recorded 5.2.70; 2000 Remaster - David Bowie, The Tony Visconti Trio Information
- Acousticness
- 88%
- Danceability
- 35%
- Energy
- 31%
- Instrumentalness
- 1%
- Liveness
- 6%
- Loudness
- 83%
- Speechiness
- 4%
- Valence
- 40%
- Popularity
- 15%
- Loudness
- -10.069 dB
Summary
David Bowie, The Tony Visconti Trio made "Memory of a Free Festival - The Sunday Show - Recorded 5.2.70; 2000 Remaster" available on September 25, 2000. The duration of Memory of a Free Festival - The Sunday Show - Recorded 5.2.70; 2000 Remaster is about 3 minutes long, at 3:18. Based on our data, "Memory of a Free Festival - The Sunday Show - Recorded 5.2.70; 2000 Remaster" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 37 in Bowie at the Beeb (The Best of the BBC Sessions 1968-1972) by David Bowie. In terms of popularity, Memory of a Free Festival - The Sunday Show - Recorded 5.2.70; 2000 Remaster is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Memory of a Free Festival - The Sunday Show - Recorded 5.2.70; 2000 Remaster BPM
The tempo marking of Memory of a Free Festival - The Sunday Show - Recorded 5.2.70; 2000 Remaster by David Bowie, The Tony Visconti Trio is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
Memory of a Free Festival - The Sunday Show - Recorded 5.2.70; 2000 Remaster Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | So You Want to Be | Patti Smith | D Major | 10 | 10B | 133 BPM | |
 | Ball And Chain - Live at The Woodstock Music & Art Fair, August 17, 1969 | Janis Joplin | C Major | 5 | 8B | 88 BPM | |
 | We Can't Stop What’s Coming | The The | A Major | 4 | 11B | 129 BPM | |
 | Roadrunner (Once) | Jonathan Richman, The Modern Lovers | A Major | 8 | 11B | 139 BPM | |
 | Hang on to Yourself - Arnold Corns Version; 2015 Remaster | David Bowie | C Major | 6 | 8B | 78 BPM | |
 | Blackwaterside | Sandy Denny | C Major | 2 | 8B | 79 BPM | |
 | Cool For Cats | Squeeze | C Major | 9 | 8B | 144 BPM | |
 | Pulling Mussels (From The Shell) | Squeeze | D Major | 9 | 10B | 124 BPM | |
 | August & September | The The | C Major | 4 | 8B | 174 BPM | |
 | If All I Was Was Black | Mavis Staples | A Major | 6 | 11B | 101 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.538949728012085
End: 0.5432641506195068