"Alleluia! Christ Is Risen, Op. 91 No. 3" by William Mathias, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson was released on January 3, 2006. The duration of Alleluia! Christ Is Risen, Op. 91 No. 3 is about 3 minutes long, at 3:14. Based on our data, "Alleluia! Christ Is Risen, Op. 91 No. 3" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gloriae Dei Cantores, Elizabeth C. Patterson's "Joy & Gladness" album is number 10 out of 20. Alleluia! Christ Is Risen, Op. 91 No. 3 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alleluia! Christ Is Risen, Op. 91 No. 3 by William Mathias, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morike-Chorliederbuch, Op. 19: Der Feuerreiter | Hugo Distler, Berlin Vocal Ensemble, Bernd Stegmann | D Major | 0 | 10B | 81 BPM | ||
4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
The Crucifixion: Hymn: The Mystery of the Divine Humiliation | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | A♭ Major | 1 | 4B | 84 BPM | ||
4 Shakespeare Songs: No. 1. Come Away Death | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | F♯ Major | 1 | 2B | 174 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
Ave Regina caelorum | Kenneth Tay, University of Glasgow Chapel Choir, Katy Lavinia Cooper | A Major | 1 | 11B | 80 BPM | ||
Vårmorgonen | Karl-Erik Welin, Meng Hao-Jan, Storkyrkans Kör, Gustaf Sjokvist | E Minor | 0 | 9A | 76 BPM | ||
Riddles: VII. — | William Mathias, Kevin Crossley-Holland, Marie-Noëlle Kendall, David Ellis, St. John's Voices, The Gentlemen of St John's College, Cambridge, Graham Walker | A Major | 1 | 11B | 76 BPM | ||
Vexilla regis prodeunt: Vexilla regis prodeunt | Gregorian Chant, Westminster Cathedral Choir, Peter Stevens, Martin Baker | D Major | 1 | 10B | 71 BPM | ||
Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM |
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