Alessandro Scarlatti, Clas Pehrsson, Drottningholm Baroque Ensemble's 'Concerto for recorder, 2 violins and bass continuo in A Minor: Piano' came out on March 31, 1995. With Concerto for recorder, 2 violins and bass continuo in A Minor: Piano being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Pehrsson, Clas: Music for Recorder Ensemble". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Sweden. Concerto for recorder, 2 violins and bass continuo in A Minor: Piano is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for recorder, 2 violins and bass continuo in A Minor: Piano by Alessandro Scarlatti, Clas Pehrsson, Drottningholm Baroque Ensemble having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Folies in D Minor | Francois Loeb, Alessandro Scarlatti | D Minor | 1 | 7A | 108 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Cantata, BWV 249 "Oster-Oratorium": II. Adagio | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe | B♭ Minor | 0 | 3A | 171 BPM | ||
Davidis pugna et victoria, Pt. 1: No. 18, Duet. O Jonathae spes una David (Jonatha/David) | Alessandro Scarlatti, Academia Montis Regalis, Robin Johannsen, Roberta Invernizzi, Alessandro De Marchi | F♯ Major | 3 | 2B | 109 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Stabat Mater: II. Cujus animam gementem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 91 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
Rameau: Nouvelles Suites de Pièces de Clavecin (1727), Suite in G Major, RCT 6: No. 3. Menuet I - Menuet II | Jean-Philippe Rameau, Jean Rondeau | F Major | 3 | 7B | 117 BPM |
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