Val McDermid made "Kapitel 53.2 - Schlussblende - Ein Fall für Carol Jordan und Tony Hill 2" available on 2012. The duration of Kapitel 53.2 - Schlussblende - Ein Fall für Carol Jordan und Tony Hill 2 is about 3 minutes long, at 3:06. Based on our data, "Kapitel 53.2 - Schlussblende - Ein Fall für Carol Jordan und Tony Hill 2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 267 in the song's album "Schlussblende - Ein Fall für Carol Jordan und Tony Hill 2". In this album, this song's track order is #127. Furthermore, we believe that the track originated from Germany. In terms of popularity, Kapitel 53.2 - Schlussblende - Ein Fall für Carol Jordan und Tony Hill 2 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Kapitel 53.2 - Schlussblende - Ein Fall für Carol Jordan und Tony Hill 2 by Val McDermid having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kapitel 10 - Todmädchen | Ilona Bulazel, Simone Ritscher | D Major | 3 | 10B | 79 BPM | ||
Teil 136 - Drift - Erebus und Terror-Reihe, Band 1 | Ralph Edenhofer, Joshua Tree, Brigitte Carlsen, Omid-Paul Eftekhari | E Major | 5 | 12B | 91 BPM | ||
Kapitel 71.2 & Kapitel 72.1 - Was als Spiel begann - Ein Norwegen-Krimi | Unni Lindell | F♯ Minor | 3 | 11A | 108 BPM | ||
Kapitel 2.3 & Kapitel 3.1 - Friesenkinder: Ein Nordfriesland-Krimi (Ein Fall für Thamsen & Co. 6) | Sandra Dünschede | B Minor | 2 | 10A | 82 BPM | ||
Kapitel 123 - Twisted Lies - Twisted-Reihe, Teil 4 | Ana Huang, Esther Heckert, Thaddäus Gold | A♭ Major | 4 | 4B | 77 BPM | ||
Kapitel 33 - Psychospiel | Natalie Tielcke, Sebastian Walch, Jana Kozewa, Robert Frank | F♯ Major | 4 | 2B | 115 BPM | ||
Kapitel 06 - Das Verbot: Thriller | Catherine Shepherd | D Major | 3 | 10B | 78 BPM | ||
Kapitel 240 - Das Vermächtnis der Ältesten - Scythe, Band 3 | Neal Shusterman, Torsten Michaelis | B♭ Major | 5 | 6B | 98 BPM | ||
Kapitel 30 - Das verschwundene Mädchen - Cold Case 1 | Tina Frennstedt, Tessa Mittelstaedt | C Major | 2 | 8B | 131 BPM | ||
Kapitel 72 - Mörderfinder - Mit den Augen des Opfers - Max Bischoff, Band 3 | Arno Strobel, Dietmar Wunder | C Major | 2 | 8B | 87 BPM |
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