Andrei Ivanovich's 'Études, Op. 10 : No.4 in C sharp minor' came out on January 1, 2003. The duration of Études, Op. 10 : No.4 in C sharp minor is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Études, Op. 10 : No.4 in C sharp minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Romantic World of Chopin's Piano, Vol.2". In this album, this song's track order is #15. Based on our statistics, Études, Op. 10 : No.4 in C sharp minor's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Études, Op. 10 : No.4 in C sharp minor by Andrei Ivanovich having a BPM of 158 with a half-time of 79 BPM and a double-time of 316 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France | C Minor | 2 | 5A | 80 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Danse macabre, Op. 40 (Arr. by Olivier Godin) | Camille Saint-Saëns, Orford Six Pianos | F Major | 1 | 7B | 69 BPM | ||
Préludes, Op. 32 : No.12 in G sharp minor | Andrei Ivanovich | E Major | 0 | 12B | 64 BPM | ||
Fantasie Impromtu, Op. 66 (Chopin) | Anna Malikova | D♭ Major | 1 | 3B | 78 BPM | ||
Prelude In G Minor Op. 23 No. 5 | Vladimir Horowitz | G Minor | 3 | 6A | 112 BPM | ||
Symphony in C Minor, Hob. I:95: Andante | Franz Joseph Haydn, Marc Minkowski | B♭ Major | 0 | 6B | 116 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Fabrizio von Arx, Christian Benda | E♭ Major | 1 | 5B | 133 BPM | ||
Keyboard Sonata No. 48 in C Minor | Antonio Soler, Mateusz Borowiak | C Minor | 4 | 5A | 145 BPM | ||
Barcarolle | Sylvia Capova | D♭ Major | 0 | 3B | 67 BPM |
Section: 0.6869661808013916
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