Johann Sebastian Bach, Julian Bream's 'Bach, JS: Suite in E Minor, BWV 996: I. Prelude (Transcr. Bream)' came out on June 1, 1994. The duration of Bach, JS: Suite in E Minor, BWV 996: I. Prelude (Transcr. Bream) is about 3 minutes long, at 3:03. Based on our data, "Bach, JS: Suite in E Minor, BWV 996: I. Prelude (Transcr. Bream)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Julian Bream's "J. S. Bach: Lute works" album is number 4 out of 16. Based on our statistics, Bach, JS: Suite in E Minor, BWV 996: I. Prelude (Transcr. Bream)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Bach, JS: Suite in E Minor, BWV 996: I. Prelude (Transcr. Bream) by Johann Sebastian Bach, Julian Bream to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 2. Largo ma non tanto | Johann Sebastian Bach, Jaap Schröder, Christopher Hirons, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 2 | 12A | 98 BPM | ||
Schwanengesang, D. 957: No. 5. Aufenthalt (Delay) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | E Minor | 2 | 9A | 136 BPM | ||
Sonata No. 3 in G Minor, Op.2a: I. Largo | Pietro Locatelli, Lisa Beznosiuk, Nigel North | B Minor | 0 | 10A | 61 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Sevillana | Joaquín Turina, Andrés Segovia | C Major | 1 | 8B | 72 BPM | ||
Pasaje aragueno | Antonio Lauro, Victor Villadangos | A Major | 2 | 11B | 106 BPM | ||
Sonata No. 2 in A Minor, BWV 1003 (arr. N. Goluses): IV. Allegro | Nicholas Goluses, Johann Sebastian Bach | A Minor | 3 | 8A | 162 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: XVIII. Adagio | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E♭ Major | 0 | 5B | 99 BPM | ||
Tansman: Musique de cour d'après Robert de Visée: II. Menuet | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Minor | 1 | 6A | 69 BPM |
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