"Concerto No. 1 in B-Flat Minor for Piano and Orchestra, Op. 23: II. Andantino semplice - Prestissimo - Tempo primo" by Tbilisi Symphony Orchestra, Andrei Ivanovich was released on July 21, 2009. Since Concerto No. 1 in B-Flat Minor for Piano and Orchestra, Op. 23: II. Andantino semplice - Prestissimo - Tempo primo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 29 in the song's album "The Greatest Piano Concertos in High Definition". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Concerto No. 1 in B-Flat Minor for Piano and Orchestra, Op. 23: II. Andantino semplice - Prestissimo - Tempo primo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto No. 1 in B-Flat Minor for Piano and Orchestra, Op. 23: II. Andantino semplice - Prestissimo - Tempo primo by Tbilisi Symphony Orchestra, Andrei Ivanovich having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No 40: Molto Allegro | The Slovak Philharmonic Orchestra, Libor Pesek | G Minor | 1 | 6A | 88 BPM | ||
Nocturne No. 2 in E Flat, Op. 9 | Frédéric Chopin, Peter Schmalfuss | B♭ Major | 0 | 6B | 101 BPM | ||
Carmen Suite No.1: Prélude | Georges Bizet, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | D Minor | 4 | 7A | 125 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song: Andante - Allegretto tranquillamente | Tbilisi Symphony Orchestra | E Minor | 0 | 9A | 115 BPM | ||
III. The Flight of the Bumble-Bee | Gerhard Wiesenhütter, Leipzig Gewandhaus Orchestra | G Minor | 2 | 6A | 169 BPM | ||
Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 1. Montagues & Capulets | Minnesota Orchestra, Stanisław Skrowaczewski | A Minor | 1 | 8A | 108 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco | Antonín Dvořák, Symphonieorchester des Bayerischen Rundfunks, Andris Nelsons | E Minor | 1 | 9A | 143 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Symphonie Fantastique - March To The Scaffold | Paris France Royal Philharmonic Orchestra | G Minor | 3 | 6A | 79 BPM | ||
Pavane in F-Sharp Minor, Op. 50 | Gabriel Fauré, Charles Gerhardt, National Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM |
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