Louis Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter's 'La Malle-Post: La Malle-Post, galop (Orch. C. Pollack) [Orch. C. Pollack]' came out on March 22, 2024. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "The Essential Slovak State Philharmonic Orchestra". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. The popularity of La Malle-Post: La Malle-Post, galop (Orch. C. Pollack) [Orch. C. Pollack] is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Malle-Post: La Malle-Post, galop (Orch. C. Pollack) [Orch. C. Pollack] by Louis Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chris and the Wonderful Lamp: Jack Tar | John Philip Sousa | F♯ Major | 2 | 2B | 114 BPM | ||
Columbine Polka-Mazurka (1862) | Hans Christian Lumbye, Tivoli Symphony Orchestra | F Major | 1 | 7B | 113 BPM | ||
El Buhonero | Grupo de Cantores y Danzas del Ural Balalaikas de Ossipov, Vitali Gnoutov | A Minor | 3 | 8A | 68 BPM | ||
Der Karneval der Tiere, R. 125: XIII. Die Fossilien | Camille Saint-Saëns, Berlin Radio Symphony Orchestra, Ferhan & Ferzan Önder, Johannes Zurl | E♭ Major | 3 | 5B | 112 BPM | ||
Dear Lord, Another Day Has Come to End SHZ 513 | Laestadian Lutheran Church, Kaitlyn Huhta, Laurel Loukusa, Katja Vaatainen, Livie Hillukka, Ashley Niemela | E♭ Major | 1 | 5B | 74 BPM | ||
Canción del Volga | Grupo de Cantores y Danzas del Ural Balalaikas de Ossipov, Vitali Gnoutov | A Minor | 3 | 8A | 68 BPM | ||
Rhapsody Of Time | Orchestral Music X, Marko Celesty | G Major | 0 | 9B | 163 BPM | ||
Yes!, Act I: Ouverture | Maurice Yvain, Les Frivolités Parisiennes | F Major | 1 | 7B | 83 BPM | ||
The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
Fisher’s Hornpipe (Arr. C. McTee & F. Slatkin for Orchestra) | Traditional, The Manhattan School of Music Symphony Orchestra, Leonard Slatkin | D Major | 4 | 10B | 74 BPM |
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