Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki made "Mass in B Minor, BWV 232: Credo. Patrem omnipotentem (Chorus)" available on October 3, 2007. With Mass in B Minor, BWV 232: Credo. Patrem omnipotentem (Chorus) being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 27 in Bach: Mass in B minor by Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Mass in B Minor, BWV 232: Credo. Patrem omnipotentem (Chorus) is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Mass in B Minor, BWV 232: Credo. Patrem omnipotentem (Chorus) by Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
II. Warum Betrübst Du Dich, Mein Herz? BWV 138, Choral (Coro): Weil Du Mein Gott Und Vater Bist | Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Johann Sebastian Bach, Marjon Strijk, Frenkel, Bas Ramselaar, Pieter Jan Leusink | B♭ Minor | 2 | 3A | 144 BPM | ||
III. Herr, Gehe Nicht Ins Gericht BWV 105, 1. Coro: Herr, Gehe Nicht Ins Gericht | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Bas Ramselaar, Marjon Strijk, Johann Sebastian Bach, Nico Van Der Meel, Sytse Buwalda, Peter Frankenberg, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 89 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: III. Et misericordia | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Minor | 2 | 9A | 100 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Morning Service in D Major, Z. 232: Jubilate Deo | Henry Purcell, Jeni Bern, Susan Bisatt, William Purefoy, Christopher Robson, Ian Honeyman, Thomas Guthrie, Choir of the Golden Age, Orchestra of the Golden Age, Robert Glenton | D♭ Major | 1 | 3B | 67 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: V. Deposuit potentes | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | F♯ Minor | 2 | 11A | 131 BPM | ||
I. Gott Ist Mein König BWV 71, 5. Aria (Alto): Durch Mächtige Kraft | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Ofer Frenke, Will Wroth, Knut Schoch, Katherin Steddon, Maarten Van Weverswijk, Ruth Holton, Bas Ramselaar, Frank Aarnink, Sytse Buwalda, Johann Sebastian Bach, Anneke Boeke, Pieter Jan Leusink | D♭ Major | 2 | 3B | 86 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Benedictus | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | E♭ Major | 2 | 5B | 126 BPM | ||
Mass No. 2 in G Major, D. 167: III. Credo | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Alcidiane: Recit chante par la Signora Anna | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Minor | 0 | 12A | 83 BPM |
Section: 0.5761268138885498
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