El Sevillano, Niño Ricardo made "El Colmao Gitano (Aires de Seguidilla) [with Niño Ricardo]" available on May 15, 2006. The duration of El Colmao Gitano (Aires de Seguidilla) [with Niño Ricardo] is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. El Colmao Gitano (Aires de Seguidilla) [with Niño Ricardo]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Todos Sus Éxitos: Spanish Flamenco". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Spain. Based on our statistics, El Colmao Gitano (Aires de Seguidilla) [with Niño Ricardo]'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With El Colmao Gitano (Aires de Seguidilla) [with Niño Ricardo] by El Sevillano, Niño Ricardo having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tú Eres Amor y Sacrificio | Niño de Porcuna | A Major | 4 | 11B | 80 BPM | ||
Yo me meto llorando por los rincones (Bulerías) | El Cojo De Málaga | D♭ Major | 1 | 3B | 120 BPM | ||
Mi Luisa - Bulerías | Juanito Villar | D♭ Major | 3 | 3B | 115 BPM | ||
Lo que intento lo logro (solea) | Juan Breva, Bernardo el de los Lobitos, Niño de las Marianas | D Major | 1 | 10B | 130 BPM | ||
Ha de Batirse Conmigo: Caña - Remastered | Jarrito, Antonio Arenas | E♭ Major | 5 | 5B | 132 BPM | ||
Campanilleros de Vallejo - Remastered | Manuel Vallejo, Ramon Montoya | B♭ Minor | 5 | 3A | 114 BPM | ||
Flamenco Por Derecho | Perlita de Huelva | F♯ Minor | 7 | 11A | 91 BPM | ||
Yo Me Negué a Tomarlos: Fandanguillos | El Carbonerillo, Niño Ricardo | G Major | 1 | 9B | 83 BPM | ||
María Carmela | Joaquín El Zambo | F Minor | 6 | 4A | 92 BPM | ||
Bulerías de Málaga - Remastered | Miguel De Los Reyes, Orquesta Montilla, Mtro. Gordillo, Martín Perea, Doblones, Moreno Herrera | F♯ Major | 4 | 2B | 115 BPM |
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