Christus am Ölberge, Op. 85: XV. Chorus. Auf! Auf! ergreifet den Verräter - Ludwig van Beethoven, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe Information

Acousticness: 95%
Danceability: 31%
Energy: 34%
Instrumentalness: 36%
Liveness: 9%
Loudness: 77%
Speechiness: 5%
Valence: 11%
Popularity: 5%
Loudness: -13.858 dB

Summary

"Christus am Ölberge, Op. 85: XV. Chorus. Auf! Auf! ergreifet den Verräter" by Ludwig van Beethoven, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe was released on October 28, 2022. The duration of Christus am Ölberge, Op. 85: XV. Chorus. Auf! Auf! ergreifet den Verräter is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Christus am Ölberge, Op. 85: XV. Chorus. Auf! Auf! ergreifet den Verräter's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 17 in Beethoven: Christus am Ölberge by Ludwig van Beethoven, Philippe Herreweghe, Collegium Vocale Gent, Orchestre des Champs-Élysées. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Christus am Ölberge, Op. 85: XV. Chorus. Auf! Auf! ergreifet den Verräter is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Christus am Ölberge, Op. 85: XV. Chorus. Auf! Auf! ergreifet den Verräter BPM

The tempo marking of Christus am Ölberge, Op. 85: XV. Chorus. Auf! Auf! ergreifet den Verräter by Ludwig van Beethoven, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Christus am Ölberge, Op. 85: XV. Chorus. Auf! Auf! ergreifet den Verräter Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
6 Impromptus, Op. 5: Impromptu V	Jean Sibelius, Leif Ove Andsnes	B Minor	0	10A	72 BPM
J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air	Johann Sebastian Bach, Orpheus Chamber Orchestra	D Major	3	10B	65 BPM
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio	Johann Sebastian Bach, Hilary Hahn	G Minor	1	6A	84 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	A♭ Major	3	4B	161 BPM
String Quintet in E Major, Op. 13, No. 5: III. Minuetto	Luigi Boccherini, Lazar Gosman	A Major	1	11B	99 BPM
Waltz No. 19 in A minor, Op. posth.	Frédéric Chopin, Peter Jablonski	A Minor	0	8A	69 BPM
Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2	Franz Liszt, Vladimir Horowitz	D♭ Major	3	3B	80 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor	Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz	A Minor	0	8A	76 BPM
Winter (L'Inverno) Op.8 No.4 F Minor: Allegro	Baroque Festival Orchestra, Alberto Lizzio	F Minor	0	4A	153 BPM
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": III. Presto agitato	Ludwig van Beethoven, Daniel Barenboim	F♯ Minor	1	11A	157 BPM

ISRC: BER182203915
Label: L-M Records/RCA Records

Section: 0.6628463268280029

End: 0.6687757968902588