Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard made "Tercer Domingo Depués de Pascua: Aleluya: Redemptionem (2º modo)" available on January 1, 1962. With Tercer Domingo Depués de Pascua: Aleluya: Redemptionem (2º modo) being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 14 in Chant Gregorien: Misas del Tiempo Pascual by Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Tercer Domingo Depués de Pascua: Aleluya: Redemptionem (2º modo)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Tercer Domingo Depués de Pascua: Aleluya: Redemptionem (2º modo) by Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard is Vivace (lively and fast), since this song has a tempo of 158 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paradisi Portae | Pope Gregorius, Ensemble de Venasque | E♭ Minor | 0 | 2A | 75 BPM | ||
Magnificat cum Alleluia | Pope Gregorius, Ensemble de Venasque | A Minor | 0 | 8A | 71 BPM | ||
Messe de la toussaint : Introit gaudeamus psaume | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F Major | 0 | 7B | 134 BPM | ||
Great Doxology 1st Mode | Dynamis Byzantine Ensemble | B Minor | 2 | 10A | 135 BPM | ||
O Rex Gentium | Coro Solemnis | F Major | 1 | 7B | 121 BPM | ||
Dum medium (Nativitas) | Coro dei monaci dell'Abbazia di Chiaravalle milanese, Giuseppe Gaffurini | F Major | 1 | 7B | 132 BPM | ||
Hodie pectore mundo - Cernere quod | Tuotilo, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 6 | 3B | 109 BPM | ||
09 Vespers | Concordia Publishing House, Seminary Kantorei of Concordia Theological Seminary | B Minor | 1 | 10A | 116 BPM | ||
Cumque Evigilasset - I 1000 anni dell'Abbaxzia di San miniato al Monte di Firenze | Giuseppe Scali, Coro Gregoriano di San Giovanni Evangelista di Empoli, Francesco Pelagotti, Andrea Franchi, Piero Gelli, Adriano Marchiori, Claudio Marradi, Giampaolo Pratesi, Tommaso Stella | B♭ Major | 1 | 6B | 72 BPM | ||
Magnificat | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | C Major | 1 | 8B | 70 BPM |
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