Prague Opera OrchestrPrague Opera Orchestra's 'Così Fan Tutte, una Donna i Quindici Anni, (De "Todos los Hombres del Rey")' came out on October 12, 2012. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Opera Goes to Movies Vol. 5". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Così Fan Tutte, una Donna i Quindici Anni, (De "Todos los Hombres del Rey") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Così Fan Tutte, una Donna i Quindici Anni, (De "Todos los Hombres del Rey") by Prague Opera OrchestrPrague Opera Orchestra having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream - Wedding March | Hollywood Symphony Orchestra | C Major | 2 | 8B | 144 BPM | ||
Concerto in C Major für Viola und Orchester: I. Largo | Capella Istropolitana, Paul Kantschieder | G Major | 1 | 9B | 101 BPM | ||
Coriolan, Op. 62: Overture | Alberto Lizzio, London Philharmonic Orchestra, Various Artists | F Minor | 1 | 4A | 85 BPM | ||
Quartet in F Major for Oboe, Violin, Viola and Cello, K. 370: II. Adagio | Endres Quartet, Alfred Sous | B♭ Major | 1 | 6B | 166 BPM | ||
Sicilienne and Rigaudon (in the style of Francois Francoeur) | Fritz Kreisler, Joshua Bell, Paul Coker | B Minor | 1 | 10A | 180 BPM | ||
2 Elegiac Melodies, Op. 34: II. The Last Spring | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
Bachianas brasileiras No. 5: I. Aria (Cantilena): Adagio | Heitor Villa-Lobos, Donna Brown, Orquestra Sinfônica do Estado de São Paulo, Roberto Minczuk | F Major | 0 | 7B | 59 BPM | ||
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro | Johann Sebastian Bach, Philharmonia Slavonica, Karel Brazda, Various Artists | G Minor | 1 | 6A | 171 BPM | ||
Ballade, op. 47, As-Dur: Allegretto | Peter Schmalfuss | A♭ Major | 1 | 4B | 73 BPM | ||
Orfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits) | Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | F Major | 1 | 7B | 79 BPM |
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