On May 6, 2016, the song "French Suite No. 5 in G Major, BWV 816 (Arr. for 2 Guitars): II. Courante" was released by Anonymous , Johann Sebastian Bach, Ida Presti, Alexandre Lagoya. With French Suite No. 5 in G Major, BWV 816 (Arr. for 2 Guitars): II. Courante being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Anonymous , Ida Presti, Alexandre Lagoya's "Ida Presti & Alexandre Lagoya, Vol. 4" album is number 12 out of 17. Based on our statistics, French Suite No. 5 in G Major, BWV 816 (Arr. for 2 Guitars): II. Courante's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of French Suite No. 5 in G Major, BWV 816 (Arr. for 2 Guitars): II. Courante by Anonymous , Johann Sebastian Bach, Ida Presti, Alexandre Lagoya to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bogorodice, Devo, Radujsa | St. Peter St. Paul Cathedral Choir of Minsk | F Major | 1 | 7B | 124 BPM | ||
Glorious Miracle | "Drevnerussky Rospev" Male Choir | B♭ Major | 0 | 6B | 107 BPM | ||
Ave mundi spes Maria - Secuencia (Modos VII y VIII) - Remasterizado | Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta | B♭ Minor | 9 | 3A | 110 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
Exaltation of the Holy Cross: Irmos of the 5th Ode | Choir of the Monks of Chevetogne | A♭ Minor | 1 | 1A | 138 BPM | ||
Les mystères douloureux : Stabat Mater Dolorosa | Anonymous, Choeur des moniales bénédictine de l'Abbaye de Kergonan | A♭ Minor | 1 | 1A | 75 BPM | ||
Amen, Allelulia | State Symphony Cappella | D♭ Major | 1 | 3B | 68 BPM | ||
Missa cum iubilo - Gloria | Nova Schola Gregoriana, Alberto Turco | E♭ Major | 1 | 5B | 174 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 171 BPM | ||
Recordare Virgo Mater | Monks Of The Abbey Of Notre Dame | G Major | 0 | 9B | 81 BPM |
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