"Chanson de Matin, Op.15, No.2" by Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult was released on May 11, 1997. The duration of Chanson de Matin, Op.15, No.2 is about 3 minutes long, at 3:17. Based on our data, "Chanson de Matin, Op.15, No.2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 7 in Butterworth: The Banks of Green Willow by London Philharmonic Orchestra, Sir Adrian Boult. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Chanson de Matin, Op.15, No.2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chanson de Matin, Op.15, No.2 by Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult is Lento (slowly), since this song has a tempo of 57 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra | F Major | 0 | 7B | 85 BPM | ||
Solomon, HWV 67, Act III: No. 42 Symphony: Arrival of the Queen of Sheba | George Frideric Handel, Daniel Reuss, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 106 BPM | ||
Violin Concerto No. 2 In B Minor, Op. 7, MS.48: 3. Rondo à la clochette, 'La campanella' - Excerpt | Niccolò Paganini, Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | B Minor | 3 | 10A | 113 BPM | ||
Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 | London Symphony Orchestra | G Major | 1 | 9B | 74 BPM | ||
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": IV. Maestoso. Allegro | Camille Saint-Saëns, Yannick Nézet-Séguin, London Philharmonic Orchestra, James O'Donnell | C Major | 4 | 8B | 104 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Egmont, Op. 84: Overture in F Minor | Ludwig van Beethoven, David Parry, London Philharmonic Orchestra | F Minor | 2 | 4A | 178 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Itzhak Perlman | F Major | 1 | 7B | 109 BPM | ||
Scheherazade - Symphonic Suite Op. 35: IV. The Festival of Baghdad - The Sea - The ship goes to pieces on a rock surmounted by a bronze warrior | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Stephen Bryant, Takuo Yuasa | A Minor | 1 | 8A | 90 BPM |
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