Ryan Shaw's 'Yesterday' came out on May 15, 2012. The duration of Yesterday is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Yesterday's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Real Love". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Yesterday is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Yesterday by Ryan Shaw having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
We Got Love | Ryan Shaw | A Major | 8 | 11B | 93 BPM | ||
My Man | Rebecca Ferguson | C Minor | 4 | 5A | 117 BPM | ||
I Don't Want To Hear It Anymore | Shelby Lynne | D♭ Major | 2 | 3B | 140 BPM | ||
New York, I Love It When You're Mean | Julian Velard | C Minor | 5 | 5A | 85 BPM | ||
Fools | Diane Birch | E♭ Minor | 7 | 2A | 121 BPM | ||
I Heard It Through The Grapevine - Motown The Musical - Original Broadway Cast Recording | Marva Hicks, Ryan Shaw, Milton Craig Nealy, Julius Thomas Iii, Bryan Terrell Clark | B♭ Minor | 6 | 3A | 120 BPM | ||
Call Me | Imelda May, Jack Savoretti | B♭ Major | 3 | 6B | 78 BPM | ||
The Trail/Negotium | V | G Major | 5 | 9B | 100 BPM | ||
Till You Come Back Through | Amos Lee | D Major | 3 | 10B | 130 BPM | ||
When I Was Your Man | Kurt Hugo Schneider, Max S | C Major | 3 | 8B | 139 BPM |
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