- BPM
- 67
- Key
- F Major
- Camelot
- 7B
Girl Crazy (arr. L. Mayorga): Act I: Embraceable You - Lincoln Mayorga, George Gershwin, Marni Nixon Information
- Acousticness
- 99%
- Danceability
- 35%
- Energy
- 1%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 49%
- Speechiness
- 4%
- Valence
- 17%
- Popularity
- 0%
- Loudness
- -30.596 dB
Summary
"Girl Crazy (arr. L. Mayorga): Act I: Embraceable You" by Lincoln Mayorga, George Gershwin, Marni Nixon was released on March 1, 2012. The duration of Girl Crazy (arr. L. Mayorga): Act I: Embraceable You is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Girl Crazy (arr. L. Mayorga): Act I: Embraceable You's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lincoln Mayorga, George Gershwin, Marni Nixon's "Marni Nixon Sings Gershwin" album is number 12 out of 16. Girl Crazy (arr. L. Mayorga): Act I: Embraceable You is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Girl Crazy (arr. L. Mayorga): Act I: Embraceable You BPM
We consider the tempo marking of Girl Crazy (arr. L. Mayorga): Act I: Embraceable You by Lincoln Mayorga, George Gershwin, Marni Nixon to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Girl Crazy (arr. L. Mayorga): Act I: Embraceable You Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto No. 4 "Air": I. - | Christian Schittenhelm, Svetlana Andreeva, Royal Scottish National Orchestra, Sergey Neller | C Minor | 2 | 5A | 117 BPM | |
 | 3 Dance Episodes from "On the Town": III. Times Square | Leonard Bernstein, New York Philharmonic | G Minor | 3 | 6A | 96 BPM | |
 | Solace - The Sting/Soundtrack Version (Orchestra Version) | Marvin Hamlisch | F Major | 2 | 7B | 108 BPM | |
 | Pas de Quatre from Aurora's Wedding | Various Artists | G Minor | 2 | 6A | 137 BPM | |
 | Winter and Moves | Ernesto Vallini, Neon Lilith, Vanity Bulleck, Royal Philarmonic Cunes | F♯ Minor | 3 | 11A | 50 BPM | |
 | About Spring | Laurent Courbier | E♭ Major | 0 | 5B | 72 BPM | |
 | Jeanie With The Light Brown Hair | Stephen Foster, Angèle Dubeau, La Pietà | D Major | 1 | 10B | 77 BPM | |
 | Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | |
 | Sally in Our Alley (arr. for string orchestra) | Frank Bridge, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | |
 | Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 4, Assez animé | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6364531517028809
End: 0.6402361392974854