Paolo Scoto, Marco Beasley, Guido Morini, Stefano Rocco, Franco Pavan, Fabio Accurso, Bruce Dickey made "Capra moza sonemus et cantemus: Capra moza sonemus et cantemus" available on May 23, 2006. With Capra moza sonemus et cantemus: Capra moza sonemus et cantemus being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 22 in Frottole by Marco Beasley, Guido Morini, Stefano Rocco, Franco Pavan, Fabio Accurso, Bruce Dickey. Based on our statistics, Capra moza sonemus et cantemus: Capra moza sonemus et cantemus's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Capra moza sonemus et cantemus: Capra moza sonemus et cantemus by Paolo Scoto, Marco Beasley, Guido Morini, Stefano Rocco, Franco Pavan, Fabio Accurso, Bruce Dickey is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia-Suite No. 8 in D Major: I. Fantazia | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Cancionero musical de palacio: No. 277, Ojos, mis ojos | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | C Major | 0 | 8B | 75 BPM | ||
Fuga e due liuti | Vincenzo Galilei, Massimo Lonardi, Ugo Nastrucci | C Major | 1 | 8B | 87 BPM | ||
Nephelai (Nymphs of the Clouds) | Michael Levy | A♭ Major | 4 | 4B | 119 BPM | ||
D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
Contrappunto Primo B.M. | Vincenzo Galilei, Massimo Lonardi | F Major | 0 | 7B | 137 BPM | ||
Prima die Lectio prima: IX. Viae Sion lugent | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 1 | 2B | 91 BPM | ||
Pavana Philippi | Jan Pieter Sweelinck, Harmonia Recorder Ensemble | C Major | 0 | 8B | 81 BPM | ||
Rondoncino [ms. 94] – Rondò [ms. 95, Allegretto] – Valtz [ms. 96] – Andantino [ms. 97] | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Das Ander Buch. Ein New Künstlich Lautten Buch, 1549: Nach Willen Dein | Hans Neusidler, Joachim Held | G Minor | 0 | 6A | 130 BPM |
Section: 0.5957496166229248
End: 0.6002252101898193