Max Bruch, Oliver Schnyder, Julia Kociuban, ORF Vienna Radio Symphony Orchestra, Howard Griffiths's 'Concerto for 2 Pianos and Orchestra, Op. 88a: II. Andante con moto - Allegro molto vivace' came out on September 27, 2019. Concerto for 2 Pianos and Orchestra, Op. 88a: II. Andante con moto - Allegro molto vivace is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The song is number 2 out of 9 in Bruch: Double Concertos, Adagio appassionato & Loreley Overture by Max Bruch, ORF Vienna Radio Symphony Orchestra, Howard Griffiths. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Concerto for 2 Pianos and Orchestra, Op. 88a: II. Andante con moto - Allegro molto vivace is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for 2 Pianos and Orchestra, Op. 88a: II. Andante con moto - Allegro molto vivace by Max Bruch, Oliver Schnyder, Julia Kociuban, ORF Vienna Radio Symphony Orchestra, Howard Griffiths is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Paganini: Cantabile in D Major, Op. 17 | Niccolò Paganini, Vilde Frang, Michail Lifits | A Major | 1 | 11B | 109 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker | A♭ Minor | 1 | 1A | 84 BPM | ||
String Quartet No. 2 in D Major: III. Notturno: Andante | Alexander Borodin, Budapest Haydn Quartet | A Major | 1 | 11B | 89 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Carmen Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 103 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Bruch: Concerto for Clarinet and Viola in E Minor, Op. 88: I. Andante con moto | Max Bruch, Kent Nagano, Orchestre de l'Opéra de Lyon | B Major | 1 | 1B | 134 BPM |
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