"Quia felix puericia - Magnificat - Quia felix puericia" by Hildegard von Bingen, Sequentia was released on 1985. With this song being about 5 minutes long, at 5:27, "Quia felix puericia - Magnificat - Quia felix puericia" by Hildegard von Bingen, Sequentia is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 27 in Bingen: Chants De L'Extase by Hildegard von Bingen, Sequentia. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Quia felix puericia - Magnificat - Quia felix puericia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quia felix puericia - Magnificat - Quia felix puericia by Hildegard von Bingen, Sequentia is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agnus Dei VII - De Angelis | Cantores 'Regina Caeli' | C Major | 1 | 8B | 66 BPM | ||
Collect | Cantores 'Regina Caeli' | B Minor | 0 | 10A | 101 BPM | ||
Mass of the Day | Anon, The Sisters of Argentan | G Major | 0 | 9B | 78 BPM | ||
Tallis: Hear the Voice and Prayer | The Tallis Scholars, Peter Phillips | F♯ Minor | 0 | 11A | 82 BPM | ||
Concordi laetitia | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | A♭ Major | 0 | 4B | 134 BPM | ||
Missa Kyrie fons bonitatisI. Kyrie | Gregorian Chants, Karel Frana, Boni Puncti | F♯ Minor | 6 | 11A | 80 BPM | ||
In Paradisum - Liturgia Dei Defunti E Dei Santi: Gaudeamus Sanctorum Omnium | Collana Diretta da Bonifacio G. Baroffio | B Minor | 1 | 10A | 128 BPM | ||
Canon of Holy Saturday, Ode 8 - Lesser Znamenny Chant | Archangel Voices | E Minor | 1 | 9A | 122 BPM | ||
Alma Redemptoris Mater | Monks And Choir Boys Of Downside Abbey | D Major | 1 | 10B | 76 BPM | ||
Mundy: Vox Patris Caelestis - 6. Veni Ad Me, Dilectissimum | The Tallis Scholars, Peter Phillips | A♭ Major | 2 | 4B | 92 BPM |
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