"Invocación y Danza" by Joaquín Rodrigo, John C. Williams was released on October 12, 1999. Since Invocación y Danza is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Rodrigo: Concierto de Aranjuez & Fantasía para un Gentilhombre". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Invocación y Danza's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Invocación y Danza by Joaquín Rodrigo, John C. Williams having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Piano and Orchestra No. 23 in A major: II. Adagio | Wolfgang Amadeus Mozart, Imogen Cooper, Royal Northern Sinfonia | F♯ Minor | 0 | 11A | 85 BPM | ||
Clarinet Concerto in A Major, K. 622: Clarinet Concerto in A Major, K. 622/II. Adagio | Wolfgang Amadeus Mozart, Martin Fröst, Swedish Chamber Orchestra | D Major | 0 | 10B | 78 BPM | ||
Werther: Pourquoi me réveiller (Arr. for Violin and Orchestra) | Jules Massenet, Joshua Bell, Michael Stern | G Minor | 2 | 6A | 105 BPM | ||
Concierto De Aranjuez: 2. Adagio | Joaquín Rodrigo, José Maria Gallardo del Rey, Orquesta Nacional De España, Rafael Frühbeck de Burgos | B Minor | 1 | 10A | 82 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Géza Anda, Camerata Academica des Mozarteums Salzburg | F Major | 0 | 7B | 175 BPM | ||
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
Concierto madrigal (excerpts): Zapateado: Allegro vivace | Joaquín Rodrigo, Joaquin Clerch, Ricardo Gallén, Asturias Symphony Orchestra, Maximiano Valdes | D Minor | 1 | 7A | 85 BPM | ||
Monti: Csárdás | Vittorio Monti, Edgar Moreau, Pierre-Yves Hodique, Basil Cameron, Philharmonia Orchestra | D Major | 1 | 10B | 85 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Concerto for 2 Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Enrico Parizzi, Ludovico Minasi, Riccardo-Masahide Minasi, Thomas Boysen, Thor-Harald Johnsen, Valerio Losito, Rolf Lislevand | E♭ Minor | 1 | 2A | 125 BPM |
Section: 0.6351869106292725
End: 0.6390657424926758