- BPM
- 166
- Key
- G Major
- Camelot
- 9B
7 Verses, Op. 127: No. 3. We were Together - Dmitri Shostakovich, Evgenia Grekova, Petr Maceček, Petr Prause, Yakov Kasman Information
- Acousticness
- 92%
- Danceability
- 26%
- Energy
- 21%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 76%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 0%
- Loudness
- -14.317 dB
Summary
"7 Verses, Op. 127: No. 3. We were Together" by Dmitri Shostakovich, Evgenia Grekova, Petr Maceček, Petr Prause, Yakov Kasman was released on 2011. The duration of 7 Verses, Op. 127: No. 3. We were Together is about 3 minutes long, at 3:20. Based on our data, "7 Verses, Op. 127: No. 3. We were Together" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Shostakovich: 7 Romances - 2 Piano Trios". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. The popularity of 7 Verses, Op. 127: No. 3. We were Together is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
7 Verses, Op. 127: No. 3. We were Together BPM
With 7 Verses, Op. 127: No. 3. We were Together by Dmitri Shostakovich, Evgenia Grekova, Petr Maceček, Petr Prause, Yakov Kasman having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
7 Verses, Op. 127: No. 3. We were Together Key
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | "Sophia Perovskaya", Op.132 - music from the film: Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D♭ Major | 0 | 3B | 172 BPM | |
 | 3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | |
 | Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | |
 | 16 Waltzes, Op. 39 (1867 version): No. 3 in G-Sharp Minor | Johannes Brahms, Idil Biret | A♭ Minor | 0 | 1A | 124 BPM | |
 | The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | |
 | Carmen Suite No. 2: 2. Habanera | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Major | 0 | 10B | 134 BPM | |
 | Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | |
 | Nocturne No. 2 In E Flat, Op. 9 No. 2 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 133 BPM | |
 | Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | |
 | Tarantella in A Minor | Mikhail Glinka, Inga Fiolia | A Minor | 2 | 8A | 100 BPM |
- ISRC
- DEOM61100350
- Label
- L-M Records/RCA Records
Section: 0.6608765125274658
End: 0.6656312942504883