"Piano Sonata in C major, D.840, "Reliquie": Piano Sonata in C major, D.840, "Reliquie": II. Andante" by Franz Schubert, Paul Lewis was released on November 8, 2011. Piano Sonata in C major, D.840, "Reliquie": Piano Sonata in C major, D.840, "Reliquie": II. Andante appears to be safe for all ages as it is not explicit. There are a total of 17 in the song's album "Schubert: Piano Sonatas D.840, 850 & 894". In this album, this song's track order is #14. Furthermore, we believe that the track originated from France. In terms of popularity, Piano Sonata in C major, D.840, "Reliquie": Piano Sonata in C major, D.840, "Reliquie": II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonata in C major, D.840, "Reliquie": Piano Sonata in C major, D.840, "Reliquie": II. Andante by Franz Schubert, Paul Lewis having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Ellens Gesang III (Ave Maria), S558 no.12 (after Schubert’s D839) | Franz Liszt, Franz Schubert, Valentina Lisitsa | F♯ Major | 4 | 2B | 96 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Allegretto in C Minor, D. 900 | Franz Schubert, Giuseppe Bruno | F Minor | 0 | 4A | 81 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM |
Section: 0.7628004550933838
End: 0.7680442333221436