"Letters from a Black Snake: No. 1, To Sergeant Babington" by George Palmer, Ned Kelly, Barry Ryan, Jeanell Carrigan was released on July 12, 2019. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Barry Ryan, Jeanell Carrigan's "Letters from a Black Snake" album is number 1 out of 19. Letters from a Black Snake: No. 1, To Sergeant Babington is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Letters from a Black Snake: No. 1, To Sergeant Babington by George Palmer, Ned Kelly, Barry Ryan, Jeanell Carrigan to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): II. Otoño Poteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Sonatina | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Annelies (chamber version): X. Devastation of the outside world | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | F Major | 1 | 7B | 83 BPM | ||
4 Pieces for Violin and Piano from "Much Ado About Nothing", Op. 11: III. Scene in the Garden - Version for Violin and Piano by Erich Wolfgang Korngold | Erich Wolfgang Korngold, Yeol Eum Son, Svetlin Roussev | C Minor | 1 | 5A | 102 BPM | ||
Synthesis | Selena Ivanova | D Major | 0 | 10B | 98 BPM | ||
Berceuse (Version for Cello and Piano): Berceuse (Version for Cello and Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | B♭ Major | 0 | 6B | 68 BPM | ||
Piano Trio in E-Flat Major, D. 929, Op. 100: II. Andante con moto | Franz Schubert, Trio Zeliha, Manon Galy, Maxime Quennesson, Jorge Gonzalez Buajasan | C Minor | 0 | 5A | 72 BPM | ||
Time Out: II. First Light, Briefly (Centennial Park) | George Palmer, Shefali Pryor, Jeanell Carrigan | G Minor | 0 | 6A | 142 BPM | ||
Four Scenes of Childhood: I. Good Morning | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Oboe with Reversal Reflections | Björn Marberg, Winterbjôrn | A♭ Minor | 0 | 1A | 134 BPM |
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