Lisa Ekdahl, Peter Nordahl Trio's 'My Heart Belongs to Daddy' came out on 1995. The duration of My Heart Belongs to Daddy is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. My Heart Belongs to Daddy's duration is considered a little bit shorter than the average duration of a typical track. This song is part of When Did You Leave Heaven by Lisa Ekdahl, Peter Nordahl Trio. The song's track number on the album is #11 out of 13 tracks. Based on our statistics, My Heart Belongs to Daddy's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since My Heart Belongs to Daddy by Lisa Ekdahl, Peter Nordahl Trio has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With My Heart Belongs to Daddy being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don't Break My Heart | Miriam Makeba, Dizzy Gillespie | E♭ Major | 4 | 5B | 65 BPM | ||
I Didn't Know What Time It Was | Cécile McLorin Salvant | G Minor | 2 | 6A | 108 BPM | ||
Every Time We Say Goodbye | Silje Nergaard | B♭ Major | 2 | 6B | 98 BPM | ||
Harlem Nocturne - Nocturne for the Blues | Mel Tormé | G Minor | 2 | 6A | 79 BPM | ||
I Get Along Without You Very Well | Kurt Elling | B♭ Major | 1 | 6B | 114 BPM | ||
From Above | Viktoria Tolstoy | E Minor | 4 | 9A | 83 BPM | ||
The Very Thought of You | Nicole Henry | D♭ Major | 2 | 3B | 67 BPM | ||
I've Grown Accustomed to Her Face | Rebecka Törnqvist, Per 'Texas' Johansson | C Major | 2 | 8B | 174 BPM | ||
Throw It Away | Ayọ | B♭ Major | 3 | 6B | 112 BPM | ||
You Said Enough | Kat Edmonson | G Minor | 6 | 6A | 96 BPM |
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