George Fenton, London Symphony Orchestra's 'Shadowlands (End Credits)' came out on January 1, 1993. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Shadowlands (Original Film Soundtrack)". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United States. Based on our statistics, Shadowlands (End Credits)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shadowlands (End Credits) by George Fenton, London Symphony Orchestra having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le secret | Philippe Rombi | D Minor | 1 | 7A | 172 BPM | ||
Cliff Tops | Samuel Sim | F Major | 2 | 7B | 127 BPM | ||
Meeting Miriam | Carter Burwell | C Major | 2 | 8B | 67 BPM | ||
Shut Up And Kiss Me | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
Dinner Is Served | Howard Shore | F Minor | 1 | 4A | 67 BPM | ||
The World Of The Heart - Main Title - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 122 BPM | ||
Two Brothers | Anne Dudley, The Quartet Of London | E Minor | 1 | 9A | 112 BPM | ||
Harriet Smith And Robert Martin Meet In The Rain | Isobel Waller-Bridge, David Schweitzer | B Major | 0 | 1B | 130 BPM | ||
Pride and Prejudice Opening Titles (From the 1995 BBC Adaptation) - Piano Arrangement | The Belle Society Players | B♭ Major | 1 | 6B | 114 BPM | ||
The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM |
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