Alan Cuckston, François Couperin made "Pieces De Clavecin, Book 4: 26th Ordre In F Sharp Minor : La Convalescente / The Convalescent" available on March 1, 1991. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 18 out of 22 in Couperin, F. : Suites For Harpsichord Nos. 22, 23, 25 & 26 by Alan Cuckston. Based on our statistics, Pieces De Clavecin, Book 4: 26th Ordre In F Sharp Minor : La Convalescente / The Convalescent's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Pieces De Clavecin, Book 4: 26th Ordre In F Sharp Minor : La Convalescente / The Convalescent by Alan Cuckston, François Couperin is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in B-flat Major, No. 2: II. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A Major | 1 | 11B | 105 BPM | ||
Sarum Sketches. Suite for piano op 6 ii The Drudge talks to himself | Herbert Howells, Alan Cuckston | G Minor | 1 | 6A | 101 BPM | ||
Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 4. Largo | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | B Minor | 0 | 10A | 89 BPM | ||
Sonata in E for 2 violins and continuo: 3. Adagio | George Frideric Handel, Kenneth Sillito, Malcolm Latchem, Alan Cuckston, Academy of St. Martin in the Fields, Denis Vigay | D♭ Minor | 1 | 12A | 174 BPM | ||
Concerto Grosso in D Minor, Op. 3, No. 4: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 4 | 7A | 105 BPM | ||
Concerto In A Major ("Die Relinge") TWV 51:A4, For Violino Principale, 3 Violins, Viola And Basso Continuo: 1. Allegro | Georg Philipp Telemann, Stephan Schardt, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 105 BPM | ||
Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Major | 0 | 6B | 92 BPM | ||
Sammartini: Recorder Concerto in F Major: I. Allegro | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | F Major | 1 | 7B | 119 BPM | ||
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: IV. Allegro | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | G Major | 1 | 9B | 97 BPM | ||
Sonata in B-flat Major, No. 2: III. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A Major | 2 | 11B | 65 BPM |
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