Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi's 'Concerti a più istrumenti in B Minor, Op. 6 No. 4, I. Allegro' came out on October 23, 2008. The duration of Concerti a più istrumenti in B Minor, Op. 6 No. 4, I. Allegro is about 3 minutes long, at 3:06. Based on our data, "Concerti a più istrumenti in B Minor, Op. 6 No. 4, I. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 37 in Dall'Abaco: Concerti a più istrumenti by Evaristo Felice Dall'Abaco, Alberto Rasi, Il Tempio Armonico, Orchestra Barocca di Verona, Davide Monti. In terms of popularity, Concerti a più istrumenti in B Minor, Op. 6 No. 4, I. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerti a più istrumenti in B Minor, Op. 6 No. 4, I. Allegro by Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in C Major, Op. 5 No. 3: V. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Violin Concerto in A Major, Op. 3, No. 8: II. Largo | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | C Major | 1 | 8B | 176 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Piccolo Concerto in C Major, RV 444: I. Allegro non molto | Antonio Vivaldi, Jennifer Bouton, Jory Vinikour, Ilana Setapen, John Bian, Alejandro Duque, Susan Babini, Andrew Raciti | C Major | 0 | 8B | 139 BPM | ||
Concerto con Violoncello obligato No. 8 in D Major: I. Allegro | Giovanni Benedetto Platti, Sebastian Hess, Akademie für Alte Musik Berlin, Georg Kallweit | F Major | 5 | 7B | 107 BPM | ||
Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Il trionfo della divina Giustizia ne' tormente e morte di Gesù Cristo: Ouverture | Nicola Porpora, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | D♭ Minor | 2 | 12A | 104 BPM | ||
Concerto grosso in F, Op. 3, No. 4bis: 2. Allegro | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): III. Amoroso | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 79 BPM |
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