- BPM
- 116
- Key
- A♭ Major
- Camelot
- 4B
La Belle Hélène - Acte I - N°2a - Air : Amours Divins - Jacques Offenbach, Michel Plasson, Choeur Capitole Toulouse, Jessye Norman, Orchestre Du Capitole De Toulouse Information
- Acousticness
- 83%
- Danceability
- 71%
- Energy
- 25%
- Instrumentalness
- 0%
- Liveness
- 57%
- Loudness
- 68%
- Speechiness
- 81%
- Valence
- 50%
- Popularity
- 1%
- Loudness
- -19.481 dB
Summary
Jacques Offenbach, Michel Plasson, Choeur Capitole Toulouse, Jessye Norman, Orchestre Du Capitole De Toulouse made "La Belle Hélène - Acte I - N°2a - Air : Amours Divins" available on 2007. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 31 in Belle Hélène Norman Plasson by Jacques Offenbach, Michel Plasson. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, La Belle Hélène - Acte I - N°2a - Air : Amours Divins is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
La Belle Hélène - Acte I - N°2a - Air : Amours Divins BPM
The tempo marking of La Belle Hélène - Acte I - N°2a - Air : Amours Divins by Jacques Offenbach, Michel Plasson, Choeur Capitole Toulouse, Jessye Norman, Orchestre Du Capitole De Toulouse is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
La Belle Hélène - Acte I - N°2a - Air : Amours Divins Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Aida Highlights (1998 Digital Remaster), Act II: Gloria all'Egitto (Chorus) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra, Chorus of the Royal Opera House, Covent Garden | E Major | 3 | 12B | 125 BPM | |
 | Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Paavo Järvi, Orchestre Philharmonique de Radio France | C Minor | 2 | 5A | 179 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Drig, drig, drig Choeurs/Nathanaël/Hermann/Luther) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 165 BPM | |
 | Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) | George Frideric Handel, William Christie | E Major | 1 | 12B | 89 BPM | |
 | Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | |
 | Overture "A Midsummer Night's Dream", Op.21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | |
 | Tales of Hoffman: Barcarolle (Bailey's) | Jacques Offenbach, Bystrik Rezucha, Slowakische Philharmonie | D Major | 2 | 10B | 132 BPM | |
 | Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | |
 | Il Trovatore / Act 3: "Di quella pira" | Giuseppe Verdi, Joseph Calleja, Angela Gheorghiu, Apollo Voices, Orquestra de la Comunitat Valenciana, Ramón Tebar | C Major | 4 | 8B | 80 BPM | |
 | Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM |
- ISRC
- FRZ118400126
- Label
- L-M Records/RCA Records
Section: 0.7066676616668701
End: 0.7112300395965576