Billie Holiday's 'The End of a Love Affair - Stereo Take 4 with Vocal Overdub Take 8' came out on 1958. With this song being about 5 minutes long, at 4:46, "The End of a Love Affair - Stereo Take 4 with Vocal Overdub Take 8" by Billie Holiday is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Billie Holiday's "Lady In Satin" album is number 16 out of 16. Based on our statistics, The End of a Love Affair - Stereo Take 4 with Vocal Overdub Take 8's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The End of a Love Affair - Stereo Take 4 with Vocal Overdub Take 8 by Billie Holiday to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
For All We Know | Paul Desmond | F♯ Major | 1 | 2B | 99 BPM | ||
Where Are You? - Rudy Van Gelder Edition | Dexter Gordon | G Minor | 3 | 6A | 69 BPM | ||
Where or When | Harry Connick, Jr. | B♭ Minor | 0 | 3A | 101 BPM | ||
April In Paris | Kurt Elling | B♭ Minor | 3 | 3A | 97 BPM | ||
The More I See You | Bobby Darin | C Major | 3 | 8B | 131 BPM | ||
Love Came On Stealthy Fingers | Irene Kral | C Major | 0 | 8B | 87 BPM | ||
I'm A Fool To Want You | Dexter Gordon | F Minor | 1 | 4A | 91 BPM | ||
Saddest Tale | Duke Ellington, Billie Holiday | C Major | 4 | 8B | 110 BPM | ||
I've Heard That Song Before | Harry James, Hellen Forrest | D♭ Major | 1 | 3B | 76 BPM | ||
You'd Be So Nice to Come Home To | Art Pepper | F Major | 4 | 7B | 89 BPM |
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